![]() The director had already explored the concept of a city virtually overrun by crime with Assault on Precinct 13, his ostensible remake of Howard Hawks’ classic Rio Bravo (1958), the director’s longtime favorite. Rooted in American Westerns from Howard Hawks to Sergio Leone, Carpenter employs classical cinematic tropes later repurposed into qualities now often attributed to the post-apocalyptic subgenre. And though the setting has been enclosed inside of New York Prison’s walls, it resembles many post-apocalyptic worlds to follow in cinema. Carpenter’s unique dystopian future, set in 1997, exists on the verge of an apocalypse. In response, America becomes a fascist state and transforms New York into a penal colony. A bleak and nihilistic future, Carpenter explores a world in which the American Dream has failed, where the increasing crime rates never stopped and, according to the opening narration, in fact quadrupled by 1988. His film comments on how the New York of 1981 has isolated itself to such an extreme that walls, both metaphoric or literal, enclose its inhabitants within the crime-ridden sprawl, itself a symbol for all of America. New York City has always subsisted as a world unto itself, but Carpenter extends that idea into a frightening science-fiction concept. During this year, John Carpenter released Escape from New York, an urban Western in which the island of Manhattan has been transformed into a maximum-security prison surrounded by 50-foot walls and mined bridges. A mob-related trash strike left rotting waste on the streets, leaving refuse to fester and stink. By comparison, there were only 328 murders in 2014. More than 120,000 robberies were committed that year, and over 2,100 murders. Murder rates grew with each passing year. Mob violence, street gangs, prostitution, rape, and drugs overwhelmed the troubled metropolis. President from detonating a stolen explosive device.In 1981, New York City was not the beacon of hope and American unity post-9/11 society has raised it up to be rather, violent urban dramas such as Death Wish (1974) and Taxi Driver(1976) reflected the city’s turbulence. The sequel, Escape from L.A., finds Snake tasked with stopping the brainwashed daughter of the U.S. Co-written, co-scored, and directed by John Carpenter, Escape from New York, the first installment in the franchise, introduces audiences to Kurt Russell as ex-soldier and current federal prisoner Snake Plissken, who is given just 24 hours to rescue the President of the United States, who has crashed landed in Manhattan, which is now a giant maximum-security prison. While Carpenter says he does not care too much about special effects-laden movies, the idea of Snake Plissken in space sounds like nothing less than cinematic majesty. So there’d be a lot of special effects in it. Escape from Earth was kind of Snake Plissken in a space capsule, flying interstellar. But what would Escape from Earth look like if it were finally made today? Well, according to Carpenter. While discussing the project with Fandom, Carpenter revealed what he believes the movie would look like if it were made today, and even backs the idea of Kurt Russell’s son, Wyatt, taking on the iconic role of Snake Plissken. ![]() Legendary director John Carpenter has discussed the idea of ever bringing the proposed Escape from New York sequel, Escape from Earth, to life.
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